"The Marfan Man" by Guest Writer Eva Newcastle

“The Marfan Man” by Guest Writer Eva Newcastle

"The Marfan Man" by Guest Writer Eva Newcastle

“The Marfan Man” by guest writer Eva Newcastle marks the supremely talented novelist’s debut here on The Renaissance Garden Guy.  You’ll not soon forget this brilliant, achingly beautiful short story.

Greetings, readers and subscribers.  I’m honored and thrilled to welcome a very special guest writer to The Renaissance Garden Guy this week.  Chicago-based novelist Eva Newcastle is here with her lovely, haunting short story, “The Marfan Man.”  Within the span of only a few short pages, and in her trademark evocative style, the inimitable Ms. Newcastle has rendered a quietly resonant jewel.  “The Marfan Man,” based on two true stories combined as one (with a purely fictional ending), celebrates a secret world of profound, eternal interconnectedness belied by a sun-dappled veil of gossamer evanescence.  (There is always so, so much more to an Eva Newcastle work than what is initially presented to the eye.)  This story’s plaintive beauty caught me completely off guard and rendered me hopelessly enraptured.  But writing one more word about this short work would be pointless, as it requires no embellishment of any kind.  Its gentle power and lasting grace have been laid bare by its creator.

Please enjoy this lovely, mesmerizing work.  At its conclusion, please do continue reading to learn just a bit more about the fabulously talented Ms. Newcastle. 

Without further ado, I present Eva Newcastle’s “The Marfan Man.”

The Marfan Man

Eva Newcastle

Suggested Listening: “Nocturne in D-flat Major “Un rêve” by Eric Christian

Photo Credit: George from Pixabay

Time with the Marfan Man was confined, mostly, to lethargic summer stretches, the warmest months first ushered in by the late winter songs of the black-capped chickadees, whistling their flirtations, faint and unseen.

“Fee dee.” The dominant male sang at sunrise. His first note — a C — was sharp, the second a B, but soft. His instinct counted one full measure plus one half in a 4/4 silence. A rest. “Fee dee,” he sang again.

“Yes,” the Marfan Man murmured, roused from slumber, happy to greet another conversation and day.

Each morning, the chickadees would leave their nests, two notes coaxing the Marfan Man from his warm bed, his long feet and toes on a cold, wood floor.

“Fee dee.”

The Marfan Man sipped weak coffee from a heavy mug and listened.

“Fee dee.”

“I hear you, but . . . ” He peered through the kitchen window. There, the yellow honeysuckle’s twisted vine seemed unkempt. That would change.

In those late winter months, bare tree limbs cast short shadows with the late winter sun, still too low on the horizon. Within weeks, the green buds of bold maple leaves would dot the bark, holding back, coiled tightly. An explosion of foliage was always timed with the arrival of the first robins. Their red breasts bulged while they picked at grass, still brown. The Marfan Man breathed deeply, his chest concave.

“Fee dee.”

A flutter. A darting shadow across a gray sky.

“There you are.”

And that was their dance.

The Marfan Man crossed the connecting room. He peered through the glass and out at the thaw. In one perennial bed, the first tender shoots of chives pushed through thinned mulch, picked over by the swallows, trampled by nocturnal critters, and dragged across the flagstone terrace between the snows. Squirrels rummaged for leftovers. Steve, the chipmunk, darted out from beneath the wood pile and sat upright, his jowls packed with the peanuts.

“Don’t talk with your mouth full,” the Marfan Man joked.

Steve wagged his tail wag and tried not to laugh.

The sweet peas, seeds the Marfan Man had pushed deep into deer manure with his long and agile fingers, would crack through hard shells, shoots snaking their way into the sunlight. Unsure in their youth, tendrils reached and clung for support.

Soon, the purple hyacinth intoxicated all with its generous scent. The peppered aroma of pastel stock faded too fast. By late May, the Marfan Man would sit on a stoop and wait. The lady, feathers shimmering, was always first. She announced her arrival with a formal trill and a chip before landing at the feeder, her reticence displaced when hearing the Marfan Man’s voice.

“You’re back.” He beamed, the ice broken.

“I am!” She fluttered her wings.

“I’ve missed you so much. How was your trip?”

“Mexico is always lovely. Thank you. Next time, why don’t you come?”

“Maybe,” he thought, wondering where the money would come from. “I can’t just pack up and leave.”

He could have migrated to warmer environs where he could thaw his damp bones and spend his tangled days on a pier at the water’s edge. But to leave the rhubarb or the primrose would be a divorce. The garden he’d tended for fifty years was a marriage: through sickness and health, for richer buds or poorer harvests.

“Knowing my luck, the year I travel is the year four leaf clovers blossom in the Japanese moss.”

He’d constructed an overhang to shade hostas and ferns on the quarter acre. He’d moved a black walnut tree with rented equipment. Curious neighbors, venturing out from the suburban bungalows on foot, waved and nodded their “hellos,” unaware of the meaningful conversations occurring beyond a fence that was weathered to gray and splintered by the winds and the rains.

“She’s looking nice today,” Steve remarked about the woman next door.

“She’s pretty but not my type.”

The feathered lady pulled her long, black beak from the syrup and craned her neck, peering over a red, plastic petal. Her black eyes were bright. One drop of nectar glistened in the afternoon sunlight. She listened.

The ruby-throated male rounded a sharp structural corner with a hard right bank and dove at the feeder, chasing his wife away.

“You can share,” the Marfan Man reminded.

“I’m not in the mood.” His wings buzzed.

A feeder had never been necessary until the honeysuckle had taken ill, the year the Marfan Man underwent open heart surgery to correct his failing aorta. The constant overcast that summer so many moons before parroted his mood that year. The cooler temperatures depleted the nectar, so the Marfan Man brewed his own.

“Thank you.” The hummingbirds found the nourishing source.

“You’re welcome.”

And that was their introduction. Over those languid summer days, the hummingbirds shared their traveling tales of the relatives they’d visited and the adventures of garden dives discovered on the flight path north.

Asleep in his bed, the hummingbirds sprinkled clover seeds as though they were fairy dust, seeds picked up from a roadside garden, somewhere in the deep south. The Marfan Man would find his green charms, a promise held since youth, soon enough.

The pansies were always stretched too thin by the summer equinox. By July, the lightning bugs put on a phosphorescent display, their neon tails a silent choir in moonlight. Fireworks burst and thundered across the sky.

For the Marfan Man, the fireworks brought the sound and the fury of a vitality he’d never known to life. The hummingbirds cowered in their nest, hidden by long leaves.

“You can come out. Don’t be afraid.”

“You do you,” the ruby male snarked, one protective wing covering the family he loved.

When the smoke and sting of sulfur cleared, one-thousand darner dragonflies feasted on mosquitoes, veined wings translucent below a stretch of late summer aquamarine, riding the waves of gossamer turbulence.

Every day, the one male and ladies fed at the red plastic flowers and the lavender. So did the ants who wrestled their way through the yellow plastic cages, up and into the glass. Drunk on sugar, they drowned.

“Serves ’em right,” the wasps complained, scavengers on the cement where nectar had spilled,

“Don’t be cruel,” the Marfan Man scolded, gentle abut their retracted stingers.

“Change the food, would ya?” The sage grasshopper grumbled, sunning himself on a toasty brick after stuffing himself with sweet basil — preferred over the spice.

“Are you going to finish that?” A caterpillar inched his way in for the feast.

“No,” the grasshopper insisted. “Go ahead.” He lifted a hind leg and threw shade at the wasps, hogging the feeder while the caterpillar chewed.

A fight between the lady and the digger bee ensued.

“Knock it off, you two.”

The lady, unwilling to risk injury, darted away. Undaunted she tried again. Without fail, the Marfan Man changed the nectar for her every day. And the hummingbirds and the dragonflies were free to flutter, to hover, and to dart until night temperatures dipped. The digger bees and wasps dispersed, the lady fed in the first September mists. She chirped and craned her neck. Peering over the plastic petal, her pleading eyes met his.

“You’re coming with us this year, I hope.”

“Maybe next year.” His heart sank, pained by her request.

The days were shorter and less humid. The sunlight had shifted, zinnias giving way to coleus, kale, and mums. Disappointed, she fluttered, landing on a wire one last time, watching the squirrels who delighted in the autumnal fruit. Dozens nibbled at thick, green husks. One squirrel carried a walnut between his teeth on a high-wire act. He paused.

“What?” The squirrel looked down at his friend.

“Nothing.” The Marfan Man laughed. “Go on.”

The squirrels barked. The chickadees were quiet. Without fanfare, the hummingbirds were gone without their usual parting words.

Saddened, the Marfan Man stowed next summer’s seeds away, impatiens for the spring he would never see. Four-leaf clovers bloomed when the small house and garden sold.

“Fee dee.” The dominant male sang at sunrise.

A young girl awoke.

“Fee dee.”

She sat before her baby grand piano and played.

A red cardinal held center stage on a barren forsythia branch, warbling an octave above the nocturne she practiced.

“Oh.” She saw him through the bay window and pulled her dainty hands from the baby grand keyboard. “Hello, little friend,” she whispered, delighted.

The cardinal turned and smiled. “How do you do?”

She could have sworn that’s what she heard. The young girl’s eyes were wide open, her mouth agape with disbelief. The cardinal raised his wing to his beak as a signal. She raised a finger to her lips, a magical garden hiding secrets, unearthed by the pure of heart who hear the music.

“The Marfan Man” © 2023. Eva Newcastle

Eva Newcastle is a published author born, raised, and based in Chicago, who’s been writing “ever since I could pick up a crayon.”  Her two most recent published works are the novels Haunting Patagonia, published on Fossil Day in 2020, and We the Decent, published in 2022.  The author describes her work by individual title, but reveals that editors and readers often use the term “ethereal” to describe her novels and short stories.  In terms of genre, Ms. Newcastle considers her work to fall within the categories of Magical Realism, Speculative Fiction, and 20th Century Historical Fiction, and points out that much of it is infused with an element of understated romance.  The author is a prolific writer of short stories, and many of these works are available to read for free on her website at evanewcastle.com.  There, readers can also find her two novels, Haunting Patagonia and We the Decent, available for instant purchase and download in eBook form.  Her website also features her atmospheric playlists and a newsletter signup form for New Releases. 

Haunting Patagonia and We the Decent are available for purchase in both paperback and eBook form from Amazon, Apple Books, Barnes & Noble, Google Play, and Kobo, among others.  Readers may also ask their local bookstores to order copies of either title.  The four direct #advertisement links to purchase both Haunting Patagonia and We the Decent in either paperback or Kindle (eBook) form from Amazon can be found below:

Click to order Haunting Patagonia in paperback (#advertisement)
Click to order Haunting Patagonia in Kindle eBook (#advertisement)
Click to order We the Decent in paperback (#advertisement)
Click to order We the Decent in Kindle eBook (#advertisement)

I’ll mention once again that it’s been my great honor to feature Eva Newcastle’s lovely work here on The Renaissance Garden Guy.  Not only is she an amazing talent, she’s incredibly kind and perfectly gracious.  It’s rare that such copious amounts of talent and personal decency exist in equal measure within the confines of a single – albeit capacious – personality, but this is the actuality in the case of this wonderfully skilled writer.  Fortunately, for those of us who appreciate a great writer who also happens to be a really good egg, Eva Newcastle is extremely accessible.  I’ve mentioned her website – take your time exploring it at evanewcastle.com.  Follow her on Instagram and Twitter, check out her playlists and follow her on Spotify, and dig her work on Amazon, BookBub, and Goodreads.  Eva Newcastle’s work is worth discovering, and the author herself is definitely one of the good guys.

Cheers, and Happy Gardening!

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39 thoughts on ““The Marfan Man” by Guest Writer Eva Newcastle”

    1. Truly, Sam. I definitely agree. Her observations, and the story’s power to immerse the reader within the realm of those observations, make for an undeniably transporting experience. I’m so glad you’ve enjoyed this lovely work, Sam. Thank you so much for reading it and commenting.

  1. I really enjoyed reading your short story and it was so easy to visualize the main character and his lovely garden and his faithful friends. I was curious about the true parts of your combined story. I will definitely be reading more of your work because you have a wonderful way with words❤️

    1. Eva really is a remarkable talent, Vickie. I personally share your curiosity about the true parts of this work versus those that are purely fictional. I’m betting that the talented Ms. Newcastle will indulge us. Thank you so much, Vickie, for your lovely thoughts.

    2. Hi, Vickie. Thank you for your kind words. I’m so glad you enjoyed the story. As for the true portion, I meet many fascinating people and immortalize them with prose whenever I can.

  2. What a wonderful story reminding us of the glories of nature. No matter our age, we can only find that connection to nature when we have an open heart and mind. Thank you John, for connecting us with such a wonderful writer as Eva.

    1. I agree, Kevin. Eva Newcastle underscored this point beautifully in her lovely tale. I’m so glad you’ve enjoyed it. Thank you for your kind thoughts, Kevin.

  3. Oh! I thoroughly enjoyed this lovely story. How touching! Eva, your words painted such a vivid image of the garden and all of the relationships found there. Thank you, John, for making it possible for me to
    enjoy this lovely little tale!

    1. Thank you so much for reading Eva’s glorious work, Tina. I’m so glad that it struck you so profoundly. I felt the same way about it the first time I read it. Eva really got it right, didn’t she? Thank you for your kind thoughts, Tina, and thank you again for reading this wonderful piece.

      1. The story is lovely, but oh so melancholy. Wouldn’t it be wonderful if we could all communicate with nature like that?

        1. Yes, Thea Becky, I do think it would be incredible. I think the world would become a much better place. It would be much like the world Eva has envisioned and created in “The Marfan Man,” I think. Thank you for reading this glorious short story, and for your wonderfully appropriate thoughts.

  4. Really enjoyed this very much and I actually plan to read it again….. there is so much to discover when you read a second time… A very “BEAUTIFUL” story…
    Thank you for making it possible, John 🙏❤️🌹

    1. Thank you so much for reading it, Roxxy, and for leaving these kind thoughts. I’m so glad that you enjoyed Eva’s story. It’s a lovely work, isn’t it? I was caught off guard by its poignancy and lyricism – Eva’s a fabulously talented writer. This was a work that I thought really belonged here for RGG readers to enjoy and to savor. I’m grateful to the remarkably talented writers, like Eva, who’ve contributed their work here on The Renaissance Garden Guy, and to the kind and gracious avid readers, such as yourself, Roxxy, who enjoy the content here. Thank you so much for your kind thoughts and words, and for helping to make The Renaissance Garden Guy such a wonderful success. Your interest and your kindness, Roxxy, are very truly appreciated.

  5. This short story was utterly charming as were your words of introduction. Completely simpatico. Many thanks for this introduction.

    1. Thank you so much, Rick. I’m so glad you enjoyed this beautiful work. I appreciate your reading it and leaving your thoughts about it here. Eva Newcastle is really a wonderful writer, and this particular story, I feel, is a true gem. Thanks once again, Rick.

      1. “The Marfan Man” reminds us that we can have a profound connection to nature when we open our hearts and minds. No matter your age, you can connect to nature and all of her stories. Thank you, John, for bringing Eva’s writing to our attention.

        1. Yes, Kevin. This story is a glorious testament to the miraculous connections that exist between nature, and those who love her. Thank you for your excellent thoughts on Eva’s beautiful story.

  6. Oh my heart, This! Poignant changing of the guard. Eva, your writing shines light on the gifts all around us. I heard Steve chew and laugh, birds sing and snark, and I saw plants reaching up. I read this three times and will do so again. I’m waiting by my gate for the arrival of We the Decent and Haunting Patagonia that I just ordered. Thank you for sharing – your writing is magical and beautiful, like nature herself. And thank you, John, for bringing this gorgeous writing to your site – there’s always beauty here.

    1. Thank you, Jill, for reading this lovely story. And thank you so much for sharing your thoughts on it. It’s a wonderful gem of a work, isn’t it? I’m so glad that you enjoyed it. Eva is a remarkable talent, and I’m so glad you’ve discovered her work. Thank you so very much, Jill.

    2. Thank you so very much, Jill. I’m so glad you enjoyed the story. I thank John for allowing this feature! And thank you, too, for waiting by your gate. I hope you enjoy the books! I envision your garden gate as I type this reply.

  7. The Marfan Man is an enchanting story, and so insightful about the way a person’s thoughtful interaction with nature makes life more meaningful. I am delighted to become acquainted with Eva’s evocative and magical storyteling. Thank you, John, for sharing her work on RGG!

    1. Thank you so much for reading the story, Dayle, and for your lovely comments. It’s truly an honor to feature Eva’s excellent work here, and I’m so glad you’ve enjoyed this particular example. Thanks once again, Dayle!

    2. I’m delighted to meet you as well, Dayle! Thank you for the kind words. Your short story, The Mourners, was quite moving. I enjoyed reading and look forward to discovering more.

  8. Pingback: The Renaissance Garden Guy Guest Feature | Eva Newcastle

  9. John, Thank you so much for this RGG Guest Writer opportunity. Your writing talents are extraordinary, and you are too generous with your praise. Thank you. You are appreciated. Truly. — Eva

    1. It’s totally my pleasure to feature your work here, Eva – I’m so grateful for the opportunity! Trust me, I am NOT too generous in my praise. I love your work, and this particular story moved me profoundly. It is a gorgeous, textured piece that’s entirely deserving of every ounce of praise it receives. Your skills are remarkable. Thank you once again, Eva!

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