Traveling Dialogues
“Traveling Dialogues” is my original poem. Published for the first time, here in The Renaissance Garden Guy.
By John G. Stamos
Traveling Dialogues
John G. Stamos
A few days after he thought he remembered it starting,
A Wednesday,
He asked the old man,
“Do you need whiskey to think about it?
To remember it all?”
For a long time
The old man kept his eyes forward, looking
Through the trees
And sometimes he looked down
and sideways.
Their boots, the old man’s and his, made crunching
Noises and thudded; a rhythmless cadence that
He heard, but the old man pretended not to.
“I don’t need it, but I want it.”
Then the old man stopped walking and looked first at him, then ahead again,
Through the trees.
“Listen,” the old man told him,
“Everything you’ll ever want to know is here.
And it’s as dark as a bat’s eye.
In the dirt, in your mind, in here.”
With a fist,
He beat the breast of his black
And red flannel.
“You don’t need to know no more just yet.
I’ll remember it for you and for me both.”
The bootsteps crunched and thudded again.
He looked at the old man, but couldn’t
Tell his face from the trunk of an oak.
Couldn’t distinguish which wore the lines and the grooves
And which brandished them.
Time was running on,
And time was running out.
And the old man and him…
They were in this together.
On Saturday (Where did Thursday and Friday go?), they
Crunched and thudded, and the sun was gray
And mostly gone in the midrange between
Earth and Heavens,
And the trees stretched on,
And he couldn’t recall if he’d spoken, and knew the old man
Hadn’t.
And that dull sun, in the middle of the sky, he thought had never
Set.
No stars nor moon had shone, no night had draped the branches
Or shrouded the ground.
But everything was as dark as a bat’s eye.
On Monday, suddenly, over the crunching and thudding,
The old man said, “Now, I’ll remember her to you,
And you’ll be wise to be wary.
The whore.
She moved with the seconds of the day and the hours of the night, and
She whirled with the seasons.
There wasn’t any telling where she ended and the sweet ground
We tread on now began, or where this very path spilled into her
Blasphemous depths.
She promised me a son
But
Was barren.”
On Wednesday, he asked the old man,
“Can a shelter be built to withstand her
Scratching and clawing and lies?
To keep her away? To shut her out?”
Crunch. Thud. Crunch. Thud.
The trees stretched on and were
The entire horizon as they’d been
Since it started,
Beneath the gray hidden sun
That never set, and the old man said,
“Shelter could maybe be thrown up, but
She’ll have you regardless.”
Friday, and the trees stretched out in front of them and
To the sides and
Behind them as far as he and the old man could see,
And the tepid capsule
Of a sun hung hidden in the midrange between the ground and
The Heavens,
And their boots crunched and thudded on their path
Under the light that was
Dark as a bat’s eye.
And the old man’s words, and his warnings,
Were silhouettes of that which grew in the ground
Of his own heart.
On Monday, over their bootsteps,
The old man spoke again.
“You’ll be here, where I walk, and I’ll be dust,
Or,
Maybe you’ll be.
But it won’t matter… “ And then the crunch-thud stopped.
The old man’s face and the bark on the trunk of
The tree on which
He rested his gnarled hand were the same.
But now
It was clear that it was the old man who
Brandished the lines and the grooves.
With gloating disguised as resignation
(One was indistinguishable from the other in
The constant light that shone as dark
As a bat’s eye),
The old man faced the boundless treescape and snatched
His hand back from the tree trunk
As if it had been scalded.
And the pair continued, the crunch-thud-crunch-thud
Of their bootsteps
The only sounds now,
And, as they almost always
Had been.
As he watched the old man
With sidelong eye,
And their bootsteps continued toward
An unassailable, tree-clotted horizon,
He knew there would be no time to erect
Futile shelter against
Man, woman, or devil,
Or anything else that crawled from his own
Parched and blackened chasms.
And it continued as it started,
The endless plodding through the
Trees.
The old man and him.
Together.
Conversation pausing only, with days as moments
(The one indistinguishable from the other in filthy sunlight
As dark as a bat’s eye),
For thoughts of ruination.
He and the old man.
The engulfing forest at their backs
Identical to the forest stretching before them.
The inexorable crunch-thud of bootsteps
Beneath a wan disk of a never-setting
Gray and hidden sun.
“Traveling Dialogues” ©2025. John G. Stamos and The Renaissance Garden Guy
I hope you liked this one. A bit on the grim side, but not every day can be sunshine and flowers, right?
Cheers, and Happy Gardening!
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Brilliant writing ✍️🌹❤️🌹
Read it a few times….It took my breath away! BEAUTIFUL 😍❤️🌹
Oh my gosh, Roxxy, you are so incredibly kind – thank you! I am absolutely thrilled that you enjoyed this one, and that you actually took the time to dig into it a few more times. I really enjoyed writing it, and I felt that its form (prose/free verse) allowed me to lay on the descriptive, tone-setting language fairly effectively. I think that with this one, its bleakness also happens to be its bright spot! Thanks once again, Roxxy!
Love the depth in this poem, John!
So wonderfully written!
I really appreciate that, Waz. Thank you so much. This form of poetry (prose/free verse) really allows major flexibility and latitude with respect to incorporating descriptive/evocative conceits. I think that it’s a terrific poetry form, and it’s a lot of fun to write that kind of poem. Thanks once again, Waz!
Powerful.
Thank you, Annie. I’m glad you thought so. This style of prose/free verse poetry definitely allows for a lot of latitude and freedom in creating a particular piece’s atmosphere. I’m very happy to hear that you liked it. Thanks once again.
Challenging poem but many amazing sense images throughout.
I’m happy that you enjoyed the work, Loretta – thank you for reading it, and thank you for your kind words. Prose poetry is a form that really allows the writer to sort of go wild without worrying about the constraints of meter or a rhyme scheme. Once again, Loretta, thank you for reading the work, and thank you for your kind compliment.
Brilliant, as always. You know how to draw readers in and leave them wondering and wanting more. Now I must draw my own conclusions.
Thank you so much for these kind words, Kevin, and thank you, of course, for reading the piece. I’m so glad to know that you enjoyed it.
Very nice, John. I have been working on poetry at my house with my GKids. Haiku. It was a little tough for the 5 year old until he stopped being stubborn and leaned into the 5-7-5 format. I think haiku is a good word building activity for kids and adults. The 7 year old quickly grasped the concept. It was funny to watch her change her word selection to fit the syllabic format without compromising her idea.
Thank you for sharing your poetry. You are a talented writer.
You’re very kind, Lane. Thank you so much. I truly appreciate your kind compliment. I think it’s fabulous that you’re helping your grandkids get into writing. And I agree with your take on Haiku being an excellent word building exercise for them. It absolutely is. Plus, it’s a lovely art form. I wish your young writers the best of luck, and hope to see their names on the bestseller list one day! Thanks once again, Lane.
Winter Time
by 7 year old
Winter time is cold
We have to wear hats and gloves
love winter so much
(I adore her. Don’t tell anyone she’s my favorite.)
Brava!!! You’ve got a writer right there!!!
Your prose slowly draws the reader into the lives of the two men. I can hear the crunching of the boots in the dirt. Beautifully written.
Thank you, Rick, for those kind words. I really appreciate that. From the standpoint of execution, one of the benefits of prose poetry/free verse poetry is the ability it allows the writer to develop context and character without the sometimes-constrainting boundaries of meter and rhyme. I’m really happy that you enjoyed the work, Rick. Thanks once again.
Always a pleasure to read your poems and stories, John!
You’re very kind, Lisa. Thank you for your kind compliment, and, of course, thanks for reading it.